#3 note bluex tabs how to

Major Sixth Chords (Maj6) - 3-Note Chord Shapes They share the same root and the same b3. Indeed, the bb7 is the same as the sixth. Here are the three voicing shapes to play minor 7 chords.ĭominant Seventh Chords (7) - 3-Note Diagramsĭom7 shell voicings are built with root (1), minor third (b3) and minor seventh (b7).ĭiminished Seventh (dim7) and Minor 6 Chords (min6) - 3-Note Chord Shapesĭiminished seventh 3-note chord positions are the same as minor 6. Minor Seventh Chords (min7) - 3-Note Shapes

#3 note bluex tabs how to

The three shapes below show how to play 3-note major 7 chords on guitar with root note on the 6th, 5th and 4th string. Major Seventh Chords (Maj7) - 3-Note Shell Voicings Triad chords are also made of three notes but they don't have seventh. It is important note to confuse 3-note shell voicings with triad chords. In all the ways, the fifth is not played to make the sound of the chord less fat and to economize a finger that can be used to enrich the chord with a most interested tone as the 13, 9 etc. The 3-note shells describe the harmony perfectly because they contain the essential notes of the chord: degrees 1, 3 and 7.

These four essential types are major 7 (1 - 3 - 7), minor 7 (1 - b3 - b7), dominant 7 (1 - 3 - b7), diminished 7 (1- b3 - bb7) that can be seen as minor 6 (1 - b3 - 6) and major 6 (1 - 3 - 6). As an analogy, shell voicings for jazz guitarists are akin to learning your 'C, D, E, G and F open chords' when first starting to play guitar. STILL GOT THE BLUES As recorded by Gary Moore (From the 1990 Album STILL GOT THE BLUES) Transcribed by Slowhand & Capt KA Words and Music by Gary Moore Dm7 x x 0 2 1 1 Dm7/G x 4 x 2 1 1 Cmaj7 x 3 2 0 0 0 Fmaj7 x x 3 2 1 0 Bm7b5 x 2 0 2 3 1 E7 0 2 0 1 0 0 Am x 0 2 2 1 0 Em7 x 7 9 7 8 7 D9 x 5 4 5 5 5 E7+9 0 7 6 7 8 x AmV 5 7 7 5 5 5 Em. Here are the most important 3-note voicings used in jazz music categorized by types.